Nor can it be seen as a means of direct recruitment to any political tendency. Apoliteic music neither promotes outright violence nor is publicly related to the activities of radical right-wing political organizations or parties. This is a type of music whose ideological message contains obvious or veiled references to the core elements of fascism but is simultaneously detached from any practical attempts to realize these elements through political activity. While White Noise music is explicitly designed to inspire racially or politically motivated violence and is seen as part and parcel of the revolutionary ultra-nationalist subculture, he suggests that 'metapolitical fascism' has its own cultural reflection in the domain of sound, namely, apoliteic music. Shekhovtsov suggests that there are two types of radical right-wing music that are cultural reflections of the two different political strategies that fascism was forced to adopt in the 'hostile' conditions of the post-war period.
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